Meet the soloist

Luke Stepanyak is our soloist on 29 September. At 16-years-old, this British–Ukrainian violinist is starting to get really noticed in the classical music world, developing an increasingly diverse repertoire centring on the great Romantic concertos as well as the works of J.S. Bach.

Luke made his London concerto debut in April this year performing Mendelssohn’s Violin Concerto with the Willow Orchestra. We met up with him to find out a little more about his background, and his plans for the future…


Tell us a little about your background as a musician…

My family are all musicians, although none are string players, so the violin was something a little different! When I was four, I went to a London International Concert Orchestra concert conducted by Alexander Walker, where our family friend Irina Tsvigun, who later became my first violin teacher, was performing. I remember very little of the programme, but apparently I sat in the front row completely absorbed by the music. I like to think that’s where it all began.


Can you name your favourite performing moment so far?

My London concerto debut, playing Mendelssohn earlier this year, really stands out. Having grown up watching violinists perform with orchestras, being the person standing there myself felt very special.


How would you hope to see yourself 10 years from now?

I’d love to be performing around the world, playing the music I love and discovering places and people along the way. I also hope chamber music will be a big part of my life – making music with friends is something I’d always want to keep.


What are you most looking forward to in your upcoming performance of Bruch’s First Violin Concerto?

I’m looking forward to hearing how everything comes together with George Jackson and Firebird after all the time spent practising on my own. There’s so much to enjoy in this concerto, from the singing lines of the slow movement to the excitement of the finale, and I’m looking forward to sharing that with the audience.


What instrument will you be using for your performance with Firebird on 29 September?

I’ll be playing my own violin, handcrafted by Volodymyr Antoniuk in Chernivtsi, Ukraine, using Ukrainian Carpathian spruce. It’s my only violin, so it’s with me through all the daily practice as well as the performances!


Luke Stepanyak

Bruch with Luke

Tuesday 29 September 2026, 7.30pm
St George’s Hanover Square, 2A Mill Street, Mayfair, London W1S 1FX

Sarasate Zigeunerweisen, Op. 20
Bruch Violin Concerto no. 1 in G minor, Op. 26
Beethoven Symphony no. 6 in F, Op. 68 Pastorale


Conductor George Jackson
Violin Luke Stepanyak

Dazzling Violin Romance

The opening concert of Firebird’s 2026–27 season presents some the most beautiful, seductive and rousing sounds from the world of classical music.

Sarasate, Bruch and Beethoven*

The concert opens with the Spanish composer, Sarasate’s dazzling Zigeunerweisen or Gypsy Airs, dating from 1878 with its Hungarian inspired melodies. One of Sarasate’s most popular compositions, this has become a favourite among violin virtuosos.

This is followed by Bruch’s richly seductive G minor Violin Concerto, one of the most popular Romantic concertos of all time. The concert concludes with Beethoven’s rousing sixth symphony, the Pastorale.

Luke Stepanyak

The soloist in the first two pieces is the talented 16-year-old violinist Luke Stepanyak. From a Ukrainian family of musicians, Luke studies at the London’s Yehudi Menuhin School and the Junior Department of the Royal Academy of Music.

Our very own George Jackson conducts this concert. 

‘George Jackson raised the stature of the music to a rarely-encountered level, absolutely enthralling from first bar to last’
Classical Source

George Jackson

Bruch with Luke

Tuesday 29 September 2026, 7.30pm
St George’s Hanover Square, 2A Mill Street, Mayfair, London W1S 1FX

Sarasate Zigeunerweisen, Op. 20
Bruch Violin Concerto no. 1 in G minor, Op. 26
Beethoven Symphony no. 6 in F, Op. 68 Pastoral

Conductor George Jackson
Violin Luke Stepanyak

* Photos supplied by London Firebird Orchestra and by the artists themselves. Other photos:
Sarasate caricatured by as ‘Man of the Day’ for Vanity Fair, 1889 by Carlo Pellegrini – Public Domain, Wikipedia Commons; Sculpture of Bruch on Cologne City Hall by Olaf Höhnen. Public Domain, Wikipedia Commons; Bust of Beethoven by Hugo Hagen, 1892. Library of Congress, Washington, D.C. Public Domain, Wikipedia Commons

London Firebird Orchestra

New season 2026-27

We are delighted to announce details of the London Firebird Orchestra’s forthcoming season of concerts, which opens of Tuesday 29 September and features new and returning soloists. 

Luke Stepanyak

Bruch with Luke

Dazzling Violin Romance
Tuesday 29 September 2026

Violinist Luke Stepanyak performs Bruch‘s richly seductive Violin Concerto No.1 and Sarasate‘s dazzling Zigeunerweisen before the concert concludes with Beethoven‘s rousing Symphony No. 6.


Yury Revich

Firebird Festival Night

Tuesday 17 November 2026

Award-winning violinist Yury Revich returns to direct and perform in the Firebird Festival Night following its huge success last year. The programme includes Vivaldi/Max RichterThe Four Seasons.


Yury Revich

15 Years of Firebird

An Evening of celebration
Tuesday 2 March 2027

This special concert at the Cadogan Hall features Vaughan Williams‘s Overture to the Waspsand The Lark Ascending and a rousing finale in Stravinsky‘s Firebird Suite.


Kasparas Mikužis

Ravel with Kasparas

Iberian Impressions
Tuesday 27 April 2027


Pianist Kasparas Mikužis joins us for a concert featuring Debussy‘s Prélude à l’Après midi d’un Faune, Ravel‘s Piano Concerto in G and Bizet‘s Carmen SuitesNo. 1 and No. 2.


Marc Corbett-Weaver

Grieg with Marc

Northern Lights & Legends
Tuesday 8 June 2027

Firebird’s popular season-closing summer concert takes us to the fjords and forests of Scandinavia with two of the most eternally-beloved cornerstones of the Romantic orchestral repertoire by Grieg and Sibelius.


Passion, Power, and Pure Romanticism…

Live in the heart of Mayfair:
Two masterpieces… 
One unforgettable night… 

Pyotr Ilyich Tchaikovsky

🔥 Tchaikovsky: Piano Concerto No.1
❤️ Rachmaninoff: Symphony No.2

This is so much more than a normal concert. It’s a night of intensity, beauty, and unforgettable music-making by one of London’s most exciting orchestras, a world class conductor, and top rank pianist.

The iconic opening of Tchaikovsky’s first piano concerto is instantly recognisable as one of the most powerful moments in all music: bold, sweeping and unforgettable.

Rachmaninoff

And alongside, what could be more romantic that the lush lyricism of Rachmaninoff’s second symphony. Unfolding in wave after wave of rich, romantic sound, this is a piece which has captivated audiences for over a century.

Experience it live at St George’s Hanover Square as the soloist and artistic director of London Firebird Orchestra, Marc Corbett-Weaver takes centre stage alongside conductor George Jackson for a rare moment of conductor and soloist brilliance against the lush orchestral sounds of the Firebird Orchestra.

With just less than two weeks to go before this sensational season finale, don’t miss the opportunity to experience it live on 9 June in this beautiful venue in the heart of Mayfair.

Tickets are limited – so don’t miss out by leaving it until the last minute. 

St George's Hanover Square

Tchaikovsky’s First Concerto

With Marc Corbett-Weaver

St George’s Hanover Square
Tuesday 9 June 2026, 7.30pm

London Firebird Orchestra
Conductor George Jackson
Piano Marc Corbett-Weaver

London Firebird Orchestra

The Concerto that Shocked the World…

When Tchaikovsky first unveiled his First Piano Concerto, he was told it was ‘unplayable’ by Nikolai Rubenstein – the very person expected to give its premiere.

This occasion has become one of the most notorious incidents in the composer’s biography. Yet today, it’s one of the most electrifying and beloved works in the entire repertoire.

Inspired by musicians in Kiev market, the opening melody grips you from the very first note. Those dramatic opening piano chords are one of the reasons why audiences still go wild for this piece.

Inspired by musicians in Kiev market, the opening melody grips you from the very first note. Those dramatic opening piano chords are one of the reasons why audiences still go wild for this piece.

Tchaikovsky’s First Concerto

Marc Corbett-Weaver

With Marc Corbett-Weaver

St George’s Hanover Square | Tuesday 9 June 2026, 7.30pm
London Firebird Orchestra
Conductor George Jackson | Piano Marc Corbett-Weaver

Tchaikovsky
Piano Concerto no. 1 in B flat minor, Op. 23

Rachmaninoff
Symphony no. 2 in E minor, Op. 27

London Firebird Orchestra string players

Tchaikovsky’s First Concerto with Marc Corbett-Weaver

For Firebird’s next concert on Tuesday 9th June we head back to Russia’s golden age with two of the most popular works of all time by Tchaikovsky and Rachmaninoff…

Described by Seen & Heard International as “full of fire and brimstone” and “as full-blooded as possible,” Firebird’s Artistic Director Marc Corbett-Weaver joins the Orchestra as soloist in Tchaikovsky’s eternally popular Piano Concerto No.1.

Famously declared unplayable by Rubenstein, Tchaikovsky’s famous first concerto dates from 1875 and opens with a romantic theme inspired by folk musicians in Kiev market. 

Tchaikovsky signature

Rachmaninoff’s second symphony – one of his most popular and best known compositions – earned the composer a Glinka Award after a rapturous premiere.

Rachmaninoff signature

Tchaikovsky’s First Concerto with Marc Corbett-Weaver

St George’s Hanover Square | Tuesday 9 June 2026, 7.30pm
London Firebird Orchestra
Conductor George Jackson | Piano Marc Corbett-Weaver

Tchaikovsky
Piano Concerto no. 1 in B flat minor, Op. 23

Rachmaninoff
Symphony no. 2 in E minor, Op. 27

 Looking forward to Tuesday’s concert

In this video star violinist Yury Revich tells us about our upcoming concert on Tuesday 28 April at St George’s Hanover Square, featuring Mozart’s Violin Concerto no. 3, Saint-Saëns Introduction & Rondo Capriccioso and Beethoven Symphony no. 3

Yury Revich, the internationally-acclaimed star violinist, returns to Firebird to play his annual concerto concert. This season Yury is playing Mozart’s charming Violin Concerto no. 3 which the composer wrote in 1775, at the age of 19.

Mozart

In a letter to his father Leopold, Mozart referred to this piece as the Strassburg Concerto, probably because of a local Strasburger dance theme which features in the third movement.

Drama and capricious virtuosity follow in Saint-Saëns Introduction & Rondo Capricioso for Solo Violin and Orchestra.

In the second half we hear Beethoven’s mighty Eroica Symphony sometimes considered to be the first romantic symphony and filled with rousing melodies.

Michael Thrift

Yury Revich is a winner of both ECHO Classic and International Classical Music Awards and enjoys a busy international schedule of concerts and concertos across the globe. He has performed each season with Firebird since 2019.

Our very own Michael Thrift conducts. Heralded by The Guardian for conducting “with an equally steady hand, notably poised in the dying moments.” 

Mozart’s Strassburg

St George’s Hanover Square | Tuesday 28 April 2026, 7.30pm
Conductor Michael Thrift | Violin Yury Revich

Mozart Violin Concerto no. 3 in G, K. 216 (‘Strassburg’)
Saint-Saëns Introduction & Rondo Capriccioso, Op. 28
Beethoven Symphony no. 3 in E flat, Op. 55 (‘Eroica’)

London Firebird Orchestra

Credits:
Photo of Yury Revich by Ursula Vavrik
Other photos: Public Domain, Wikimedia

Mozart’s Holiday in Strassburg

In this post we discover the connection between Mozart’s 3rd Violin Concerto and ‘Strassburg’…

Firstly, lets clear up one little confusion. The UNESCO world heritage city of Strasbourg in the Alsace region of northern France is not the same as Straßburg, the historic town in Austria, or indeed Strasburg (or Straceburch) in north-eastern Germany.

So which one of these gave its name to Mozart’s third violin concerto – and why?

We are talking about the first of these: Strasbourg – the home of the European Parliament and the Council of Europe – which was also referred to as Strassburg.

Back in 1778, the 22 year-old Mozart had been having a difficult time in Paris. His father, Leopold, was urging him to return home to Salzburg as fast as possible.

Mozart

Instead Mozart decided to break his journey and visit Strassburg for a month. He gave three concerts but with disappointingly small audiences and making only a tiny amount of money, although he did make a few useful contacts.

When he was about to leave, he wrote to his father putting a positive spin on things saying:

‘Strasbourg can scarcely do without me. You cannot think how much I am esteemed and beloved here… Everyone knows me.’

So did he name his Strassburg concerto after this visit?

Actually, no! Mozart had already written – and named – this concerto three years earlier in 1775 at the age of just 19 when he was serving as concertmaster of the Archbishop’s court orchestra in Salzburg. 

It seems that the answer to this puzzle lies in the concerto’s third movement.In another letter to his father, the composer referred to its jig-like folk-style melody known as a Strassburger Dance. 

This may in turn have take the name from the so-called ‘dancing plague’ of 1518. By the 18th century it had become a traditional rustic peasant dance with folksy fiddling and droning double-stops often used played in late Viennese imperial ballrooms.

You can hear this fabulous concerto performed by the Firebird Orchestra and soloist Yury Revich on 28 April.

Yury Revich

Mozart’s Strassburg

St George’s Hanover Square | Tuesday 28 April 2026, 7.30pm
Conductor Michael Thrift | Violin Yury Revich

Mozart Violin Concerto no. 3 in G, K. 216 (‘Strassburg‘)
Saint-Saëns Introduction & Rondo Capriccioso, Op. 28


Credits:
Photo of Yury Revich by Ursula Vavrik
Strassburg by By Jonathan M (Public Domain, Wikimedia)
European Parliament by By Diliff (Public Domain, Wikimedia)
Strassburger Dance by By Pieter Brueghel the Elder (Public Domain, Wikimedia

London Firebird Orchestra

Mozart’s Strassburg with Yury Revich

International violin star Yury Revich returns to Firebird with a spectacular violin concerto on 28 April…

Yury Revich needs almost no introduction to Firebird fans having performed each season with Firebird since 2019.. This internationally-acclaimed star violinist is a winner of both ECHO Classic and International Classical Music Awards and enjoys a busy international schedule of concerts and concertos across the globe.

Why is it called the Strassburg Concerto?

This is said to be because of a local Strasburger dance theme which features in the third movement. Mozart referred to this in a letter the 19-year-old composer wrote to his father Leopold in 1775.

What else is in the concert?

Drama and capricious virtuosity follow in Saint-Saëns Introduction & Rondo Capricioso for Solo Violin and Orchestra. In the second half we hear Beethoven’s mighty Eroica Symphony, sometimes considered to be the first romantic symphony and filled with rousing melodies.

Mozart’s Strassburg

St George’s Hanover Square | Tuesday 28 April 2026, 7.30pm
Conductor Michael Thrift | Violin Yury Revich

Mozart Violin Concerto no. 3 in G, K. 216 (‘Strassburg‘)
Saint-SaënsIntroduction & Rondo Capriccioso, Op. 28
Beethoven Symphony no. 3 in E flat, Op. 55 (‘Eroica‘)

Credits: photos of Yury Revich by Ursula Vavrik

London Firebird Orchestra

Discover award-winning pianist Ariel Lanyi

The soloist in Firebird’s concert next Sunday starting at 6pm is award-winning pianist Ariel Lanyi who was named a Classic FM ‘Rising Star’.

Performing Beethoven’s Piano Concerto no. 4 in G next Sunday, Ariel was honored to receive the 2023 Prix Serdang, a Swiss prize awarded by the distinguished Austrian pianist Rudolf Buchbinder.

Visit YouTube to watch Ariel play Beethoven Sonata in E Minor, Op 90 recorded in Dukes Hall, at the Royal Academy of Music in London.

Ariel gained notoriety when he won third prize at the finals of the 2021 Leeds International Piano Competition performing Brahms Concerto No. 2 with the Royal Liverpool Philharmonic Orchestra.

In that year he was also named a prize winner in the inaugural Young Classical Artists Trust (London) and Concert Artists Guild (New York) International Auditions.

An avid chamber musician, Ariel has collaborated with leading members of the Berliner Philharmoniker and the Concertgebouw Amsterdam. Meanwhile, on the concerto platform he has appeared with orchestras around the world including the Royal Liverpool Philharmonic Orchestra.

“…Ariel Lanyi put on a brilliant performance at the master concert in Homburg … the young star’s virtuosity and sheer orchestral sonority is unbelievable…”

Saarlander Zeitung / Homburg / March 2022

Upcoming highlights include his debut with the Mahler Chamber Orchestra at the Grafenegg Festival, and a residency at the Sanguine Estate Music Festival in Australia. 

Mendelssohn Overture to a Midsummer Night’s Dream, Op. 21
Beethoven Piano Concerto no. 4 in G, Op. 58
Puccini I Crisantemi ‘Chrysanthemums’
Haydn Symphony no. 96 in D, Hob. 1:96 The Miracle

St John’s Waterloo | Sunday 8 March 2026, 6pm
Conductor George Jackson | Piano Ariel Lanyi

Young Classical Artist Trust, YCAT, logo

With kind support from:

Photo credit: Kaupo Kikkas

London Firebird Orchestra